27-year-old Eto Kana lives in Tokyo and has never been out of the city before. She used to work as a designer and stay in a company dormitory but moved back to her family home after resigning due to the stress from interpersonal relationships. Meanwhile, Kana’s family gets a call about an elderly granduncle who got injured. She goes to Kyoto where he lives at the request of her worried mother and stays there for several days to take care of him.

Om het leven van hun vader te redden, moeten drie broers en zussen die bedreven zijn in magie, escapisme en oplichting een onschatbare mummie stelen van een oude haciënda tijdens het 'Night of the Dead'-feest. Succes betekent fortuin en vrede; Falen heeft ernstige gevolgen.

FROM ACCLAIMED INDIE SHORT FILMMAKERS, THE VARAVA BROTHERS, COMES THE WHIMSICAL AND HISTORICALLY ACCURATE TALE OF ONE TUMBLEWEED THAT DID NOT TUMBLE.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

Two brothers, trying to make sense of a world gripped by a pandemic, grasp at anything to increase their chances of survival.

Barry and Susan O'Brien are a young married couple who have just inherited a house. They love their beautiful new home, and decide to throw a party. The party is partly to show off their new digs and partly because Barry, an actor, wants to butter up the producer of a soap opera in hopes that his character won't be killed off. But the O'Briens soon discover that they have to worry about death in the real world too, because a flock of demons is hiding out in one of the closets, waiting to be released.

SUBJECT TO REVIEW charts the rise of the instant replay system Hawk-Eye in professional tennis, probing how the technology exposes deeper questions of spectacle, justice, and imperfect human knowledge.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

A wealthy woman puts a condition in front of her grandson Sami in order to get his worthy inheritance: to marry a girl who resembles one of her friends, and decides to start the journey to search for a girl with the required specifications, and show the desired girl, a girl from the Armenian community called Sivana.

The further adventures of Takeshi Nanjo, the Young Boss.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

With the help of a documentary crew, Greg hopes to not only prove to the world, but also to himself, that he is capable of leaving behind his superpowers in pursuit of an average and normal life at an accounting firm.

In this gripping suspense-thriller, the daughter of a wealthy mayoral candidate and her friends are held for ransom by a group of daring criminals. Soon, as tempers flare and tension mounts, secrets rise to the surface revealing that these kidnappers are after much more than money.