Balu, a determined middle-class man who finds himself at a crossroads when Sarayu enters his life, rekindling his long-lost desire for romantic relationships. Balu must try his best to stop his cousin’s marriage in order to save his own love life.

The film is set in the late 90s revolving around the life of a young high range rubber planter from Mundakayam and his rivalry with a high ranking officer in the Kerala Police

Miss Yamagami is beautiful with a willowy figure and slender legs. She seems out of place teaching in an all boys school. The young school marm is fully aware of her power over the impressionable boys in school and it satisfies her vanity. She stirs up their nameless longings until they are carried away and resort to acts on which Miss Yamagami had not counted on.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

A week in the life of Claudia e Francesca and all their friends.

Two Los Angeles cops go undercover to investigate the distribution of steroids to wrestlers and body builders.

Astronauts Pete Burke and Allan Virdon crash on Earth in the far future and are captured by the apes. The men befriend a chimp named Galen who helps them to escape. In the hopes of finding a way to get back to their own time, the astronauts search for a computer in an earthquake-threatened city, with which they will be able to access their flight records. [The first of five telefilms edited from episodes of the 1974 TV series; this film combines the episodes "Escape from Tomorrow" and "The Trap"]

Trapped in the web of ethnic strife in the brutal underbelly of Karachi, Gardaab is a tale of two lovers' journey, as they struggle to break away from the unending cycle of violence that haunts the metropolis.

Famed crime photographer Arthur Fellig, nicknamed Mr. Wee Gee, stars as himself in this pseudo-documentary that begins when he falls in love with a store window dummy and tracks "her" to London, England, then meets up with a beautiful ghost in a haunted house and finally winds up in Paris, where he meets other beautiful women and ends up being chased onto the Eiffel Tower.

Lucien Knops (Nand Buyl) is a grumpy old man. When his wife passes away, he moves in with his daughter Gerda. It doesn't take long before tensions rise and Lucien moves back into his old house, claiming that his new lover will move in with him. Gerda is worried that she will miss out on her father's inheritance; even more so when an interesting new woman moves in next door to Lucien.

Gote en Eli zijn twee bejaarde vrienden die niet ouder willen worden. Gote is een badmeester die op het strand van Tel Aviv tegen gluurders vecht. Eli is een gitarist die ervan droomt een nachtclub te bouwen in het restaurant van Altman.

A young man and woman are determined to marry despite opposition from her parents.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Two childhood friends take a rifle into the mountains, and return with a secret.