A grieving young inventor finds solace in repairing an antique typewriter.

For Yogi, assaults have become a daily routine, so much so that the sight of his latest victim, a heavily injured woman slumped in her car, leaves him untouched. But then he spots her baby on the back seat. Without a second thought, Yogi takes the completely defenseless creature along in a basket. Not even a machine gun pointed at his forehead could have had a stronger impact on his life; he feels threatened and seduced at the same time.

Three stubborn teenagers place a bet over which one of them is the meanest.

The legendary transgender club The Way Out celebrated its 25th anniversary in 2018. The documentary looks back at the last three decades in the London trans scene, discovering the club's impact on the transgender community through interviews and archive footage. The club closed in March 2020 for the first time in 28 years due to the global Covid-19 pandemic. What does the future hold for this unique place?

Laurence Renoux, chef du service des maladies tropicales et infectieuses dans un hôpital parisien, est inquiète. Depuis quelques jours, elle est confrontée à une épidémie de source inconnue dont les symptômes s'apparentent à une méningite fulgurante, et qu'elle ne parvient pas à endiguer.

Noted Iranian actress Susan Taslimi plays an impoverished single mother who agees to marry off her 13-year-old daughter to a middle-aged man in return for a mare, which will help her earn an income and provide for her younger children. Director Ali Zhekan paints a stark picture of poverty and patriarchy in rural Iran (the mother stores her rice in a container hidden in a tree; her brother, who brokered the wedding, mercilessly beats the recalcitrant child), but this 1986 film is distinguished mostly by Taslimi's increasingly fiery performance as the mother decides to defend her daughter's freedom.

A short film coinciding with the release of the album "Few Good Things" by Chicago artist Saba.

A celebration of traditional Thai cooking with drama taking place in a high class restaurant and a cooking school.

Images fall apart, data decay, glitches, algorithmic transcendence. The moon raises over mountaintops, melts with the woods. A path dissolves with the view. Colors rendered liquid. Data holes vanish in the distance. Memory, processing, nothing lasts forever. A hike through a natural reservoir; recorded, saved, consolidated. A landscape interpretation by means of MPEG algorithms. In #47, alternating fixed camera shots and pans display a landscape from the hiker’s point of view. Where the path leads to, remains unclear. #47 belongs to a video-work series, researching the relationship between landscape- representation, perception and the unconscious. The technics applied to the footage are a mix between some hacking of the MPEG-information and faulty encoding settings. During this process, crucial data is removed from the MPEG-stream and fed back to the computer to make it ‘work’, forcing software to re-interpret the visual information.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

Family and workers on a farm are being stalked by a Sasquatch-like creature known as "The Black River Monster".

American travel authority Rick Steves guides viewers through his favorite European cities.