Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

When an extortionist threatens to force a multi-suicide unless a huge ransom is paid, only Peter Parker can stop him with his new powers as Spider-Man.

PEOPLE is a new collaboration of riders and filmers from Mack Dawg Productions. Directed by Pierre Minhondo and Justin Eeles. This newly formed collective combines the talents, attitude, and fun-loving folks from such films as kidsKNOW’s “Burning Bridges,” and Neoproto’s “Some Kinda Life”. Learn, watch, and follow these PEOPLE as they show you real snowboarding in their own form. From our cities to yours, look forward to watching: Jon Kooley, Justin Hebbel, Nima Jalali, Jordan Mendenhall, Curtis Woodman, Mitch Nelson, Bryan Fox, Etienne Gilbert, Robbie Sell, Stephen Duke, Pat McCarthy, Shaun McKay, Josh Mills, Marius Otterstad, Jussi Tarvainen, and Ryan Thompson. -Released August 2006.

Documentary about the milk farmer Bertil Nilsson

Desperate to win a man's affections, Roshanda James uses murder and witchcraft to make herself appear as a beautiful seductress. No man can resist the Black Widow Spider.

Acclaimed actor and FDNY veteran Steve Buscemi looks at what it's like to work as a New York City firefighter. Utilizing exclusive behind-the-scenes footage and firsthand accounts from past and present firefighters, explore life in one of the world's most demanding fire departments while illuminating the lives of the often 'strong and silent' heroes.

A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

8mm work directed by Norihiko Morinaga.

Er zit een meisje op school. Opeens is het alsof ze geen adem meer kan halen. Terwijl ze de trap af rent, volgen we haar in haar gedachten. Het brengt ons diep in donkere bossen.

Six vignettes pit an assortment of characters against each other in everyday situations.

Een dorp wordt overvallen door bandieten en alle mannen worden er weggehaald. Een van hen is Mateos, lid van de beroemde club van zeven. Zijn vrouw gaat op zoek naar de andere zes leden om zo haar man en de andere dorpsbewoners te kunnen bevrijden.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

The next installment of the MCU Spider-Man franchise: a sequel to "Spider-Man: No Way Home" and the first in a possible new trilogy.

As novelist Jovana Fey attempts to check into the first hotel of her 3-week European book tour, she learns that her publisher has gone bankrupt. Penniless and stranded, she decides to continue the tour regardless.

Mater tells Lightning McQueen about his former job as a daredevil.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

A man with a grudge against the late Little Joe seeks revenge on the Cartwrights and attempts to take over the Ponderosa.

Eight men, eight stories about the morning after party...

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times