Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Bikini Avenger (Erika Jordan) en Thong Girl (Jacqui Holland) werken hard om de plannen van de Jade keizerin (Sarah Hunter) tegen te houden. Zij heeft de grootste diamant ter wereld gestolen om hiervan het ultieme wapen te bouwen. Met hun geavanceerde bikini technologie lukt het de dames om de keizerin op te sporen. Zo moeten zij voorkomen dat de keizerin de wereld gaat overheersen.

This Best Short Subject Academy Award winning film begins in the spring of 1940, just before the Nazi occupation of the Benelux countries, and ends immediately after the Japanese attack on Pearl Harbor. It chronicles how the people of "Main Street America", the country's military forces, and its industrial base were completely transformed when the decision was made to gear up for war. Original footage is interspersed with contemporary newsreels and stock footage.

Shows several jobs on the assembly line of Detroit's automobile factories; includes workers' comments on their feelings about the work.

In an economically struggling small town, Jenny, a young married woman, begins an affair with June, her college-bound, African-American neighbor.

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

4 TV Episodes Spectacle!

A young girl is striving for stardom. In order to get a lead role in a new production, she agrees to stand-in for a famous star whose rich patron died in her arms one night. The real-life drama gradually comes to mirror the story of the play being performed by her.

Max Andreev thought the best place to start a new life would be at the other end of the world. What he didn't know, is that you can't outrun your past.

De onovertroffen schutter Sabata komt met een circus naar Hobsonville in Texas. Daar weet de geslepen Joe McIntock de bevolking aardig uit te buiten. Hij heeft plannen om er binnenkort met het geld dat hij van de burgers heeft afgetroggeld vandoor te gaan. Hij heeft echter ook het vermoeden dat Sabata op de hoogte is van zijn praktijken en hem wil dwarsbomen. Er volgt een krachtmeting tussen hen.

Barbara is a filmmaker who has been working in the prison environment for a few years now. She is preparing a film written and directed by long-term inmates in a prison in the projects around Paris. Twice a week, Barbara goes to the prison where she shoots interviews with the inmates which will serve as a basis for the writing of their screenplay.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

A Green Ray that never features. Instead, we sense it, seeing beyond our own eyes, beyond the hills, we sense it for an instant. We are plunged into the unknowable, beyond the horizon, beyond seeing altogether. In a single, virtuoso 11 minute take, Barley takes us from lush sunsets. to beyond the green ray, and into the gloaming, into the heavy night's darkness, where we, transfixed, can do nothing but await the impending storm.

Riot Acts is a transfabulous rockumentary representing the whole lives of transgender and gender variant musicians, through a first-hand perspective of the intersections between gender performance and stage performance. This feature-length documentary highlights issues crucial to interviewees such as songwriting, voice presentation, presenting a body or bodies on stage, audiences, venues, the idea of the spectacle, media representation, performing gender and notions about 'drag,' and the personal as political. The film culminates with the notions that identities and bodies are undeniably political, and the the trans experience isn't always one of tragedy, but one of creativity and joy.

Een meisje genaamd Kimika wordt wakker geketend in een donkere stookruimte, niet zeker hoe ze daar terecht is gekomen. Ze wordt al snel benaderd door een vreemde man die een masker draagt ​​en een griezelige stemwisselaar gebruikt. Het meisje is de dochter van Daisuke , president van een aannemersbedrijf. Daisuke was te druk bezig met een seksuele affaire met zijn secretaresse om te merken dat zijn dochter vermist was, en dat zijn relatie met haar gespannen was , maar wanneer hij een dreigend telefoontje ontvangt hij erkent uiteindelijk de ernst van de situatie. Kimika haar angst verandert langzaam in een perverse aantrekkingskracht voor de persoon die haar gevangen houdt. Wat is het motief van de ontvoerder? En wat is zijn doel? In de kelder van een bepaald gebouw versmelt waanzin met obsceniteit terwijl het plot zich ontvouwt.

Collage animation by Don Duga