On March 24th, 1980, Tom Petty & The Heartbreakers performed for BBCTV Rock Goes to College, at Oxford Polytechnic.

Het verhaal speelt in Los Angeles, waar Gunn een nachtclub heeft. Gunn's broer Scott, een Viëtnam veteraan, is een lid van de Black Action Group (BAG). Hij heeft een overval gepleegd op een gokhuis van de maffia- om zo aan geld te komen voor hun activiteiten. Maffiabaas Capelli stuurt zijn beste man Ray Kriley om zijn gestolen geld terug te krijgen voor dat de politie BAG te pakken krijgt. Gunn weigert om de maffia te helpen. Kort hierop wordt zijn broer dood aangetroffen. Gunn wil wraak nemen en roept de hulp in van de BAG-leden en politieagent Hopper.

Tijdens de Koude Oorlog ontwikkelde de Sovjet-Unie hyper-agressieve haaien. Omdat ze hen niet konden doden, lanceerden de militaire leiders van de USSR de haaien op de maan. Tientallen jaren later arriveert er een team van Amerikaanse astronauten op de maan. Hun missie is een module repareren die gevonden is op de donkere kant. Daar treffen ze echter ook de maanhaaien van de Russen aan die niet te doden zijn. Ze zullen voor hun levens moeten vechten als ze de aarde weer heelhuids willen bereiken.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

A young alcoholic ambient musician locks himself in his apartment on a dangerous seven day bender as he attempts to finish his upcoming album.

De "Hababam"-klas op de middelbare school maakt het weer lekker bont. Veel studeren voor hun literatuurexamen doen ze niet; ze spieken liever dan dat ze hard werken. Roken is verboden op school. Voetballen in de tuin van de school is verboden, dollen met de meisjes idem en grappen maken over de instructeurs óók.

María José and Alfredo are about to celebrate their 20th anniversary and their children give them a trip to the hotel where they celebrated their honeymoon, but a spell will make them repeat the same day.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

Lu has a perfect life. Or so she pretends to have. She meets the handsome, short-tempered Argentinian, Diego, who is on a visit to Mexico, and she is confident to get him head over heels in love with her. In order to win a wager with her friends, her life will take a turn when she does the impossible to win him over, including taking a trip to Argentina to look for him.

Op weg naar de opvang verliest Homer Maggie uit het oog als ze in Grogu’s zweefbuggy springt en met hem een ruimteavontuur in hyperspace beleeft. Als ze een eskader keizerlijke TIE-fighters tegenkomen, verplaatst Maggie de strijd naar Springfield in deze epische korte aflevering die helemaal om Star Wars draait.

A half-cast used cars salesman wants anything from the white society and is ready to do anything to get it. But when he is accused of murdering his half-sister who was killed with his rifle, he flees to an indian village. He doesn't feel any more at home there than in the white city. He decides to go back to find and punish the killer.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

Jack Halsey neemt zijn vrouw, hun volwassen kinderen en een vriend mee voor een droomvakantie in Kenia. Maar terwijl ze zich alleen wagen in een wildernispark, wordt hun safaribusje omver gegooid door een boze neushoorn, waardoor ze gewond en wanhopig achterblijven. Dan, terwijl twee van hen op zoek gaan naar redding, zet een bloedige, wrede ontmoeting met een luipaard en een clan hyena's aan tot een wanhopige strijd om te overleven.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Aan de voormalig commando Doc Alexander wordt gevraagd een wapenstilstand te regelen met het Mexicaanse drugskartel. Wanneer Richard Jeffs, de gouverneur van Oklahoma, op tv de executie viert van een hooggeplaatst kartellid, lichten zijn stafchef en Doc hem in dat hij zojuist de vrede beëindigd heeft. Als beul van het kartel heeft Cuco dan ook zijn zinnen gezet op Docs dochter Dixie.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.