A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Akko and her friends are on summer vacation, and what could be more of a summer event than a beach trip? A festival is occurring around the beach, and while everyone is enjoying the festivities, Taisho and his gang head to a supposedly cursed island. Does Akko have anything to do with it?

De elfjarige Emily is een milieuactiviste in training. Zij redt en verzorgt een gewonde beer tot hij weer sterk genoeg is om het bos in te gaan. Wanneer haar zus het bos intrekt om actie te voeren, volgt Emily haar stiekem. Maar onderweg komt ze ten val en wordt meegesleurd door de rivier. Gelukkig is er een oude vriend om haar te helpen.

EVOLVE 89 was an event put on by Evolve which took place on July 9, 2017 at the Marietta Event Hall in Marietta, Georgia.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

A grieving young inventor finds solace in repairing an antique typewriter.

Artist Eli Shamir paints the view from his studio balcony - fields stretching to the horizon, ancient oak trees, and a generation of farmers that is disappearing from the vistas of the Jezreel Valley. His large oils are treasured by collectors worldwide. It was director Ben Shani's encounter with one of Shamir's works that spawned the idea of documenting the artist at work. Neither of them had any idea that everything would change as the filming progressed, as an unforeseen danger threatened to rob Shamir of his talent. Filmed over the course of ten years, A lullaby for the Valley focuses on the fascinating figure of Eli Shamir and his paintings. As time passes, like the endless fields of the valley, they are transformed before our very eyes.

A short film coinciding with the release of the album "Few Good Things" by Chicago artist Saba.

In the near future, as humanity prepares to set foot on Mars, Jacob Obus, an elderly musician, takes pride in slowing down time by playing instruments inspired by women's bodies, designed by his friend Arthur. A love triangle develops when Jacob and Arthur both fall in love with Avril, a young photographer. Enter Eugène Spaak, Arthur's father, an inventor and cosmologist who unveils a new theory about man's desire to reach Mars and helps Jacob find the true meaning of life and love.

Mexican feature film

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

Short western, in which a hotheaded prospector argues with his wife about her housekeeping skills. She decides to leave him, and travels with a passing prospector who offers to accompany her through the mountains. However, when they are attacked by Indians, they are rescued by her husband. Eventualy the husband is killed in a second attack.

Bob James made his name in fusion and smooth jazz, but some of us believe the pianist’s acoustic trio records represent his highest art. His 1996 album Straight Up, with bassist Christian McBride and drummer Brian Blade, and 2004’s Take It from the Top, with bassist James Genus and drummer Billy Kilson, are career highlights and gems of their genre. Those records will never escape the shadow of 1978’s Touchdown or 1975’s One, but now James gives us the best of both worlds, revisiting his biggest hits in a trio format and tossing in other tunes. Despite its title, Feel Like Making LIVE! isn’t a concert recording. It was recorded “live in the studio” with old pal Kilson and young bassist Michael Palazzolo, who’s been in James’ bands for several years now. Rather than swing like a bop trio, they play classy, R&B- and pop-tinged jazz that’s both accessible and adventurous.

John is driving through the most godforsaken area of Norway, when he accidently gets a flat tire. By his attempt to change the tire he realizes that that his car wasn't equipped with one. But as he takes a peek at the ditch next to the road, he sees a whole bunch of spare tires. The world's nicest guy stops to offer help. The problem is that John really do not want help, and he knows an accident rarely comes alone...

Caxton has broken out of prison and Eddie has been sent to bring him in. Caxton is known by the polka dot band on his hat and Eddie has Soapy wear one like it. This gets Soapy arrested as soon as he rides into town but it leads Eddie to Varney and he realizes Varney will lead him to Caxton.