Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

Free-lance undercover agent Coplan receives a phone call from an old girlfriend in Turkey. The panic-stricken woman gives sketchy details of a plot that threatens world security. When Coplan arrives, he is told the woman has been killed, and the trail of the murderer leads to her mad-scientist brother.

Groot onderzoekt een spookachtig geluid dat het Kwadrant achtervolgt, wat leidt tot een intense dans.

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

Het verhaal speelt zich af in de pre-onafhankelijkheidsperiode van de jaren 1800. In Kaza wordt een krijgersstam gevangen gehouden, tot slaaf gemaakt en gemarteld door een meedogenloze autoritaire Shudh Singh. Shamshera is een levende legende voor zijn stam, en vecht voor de vrijheid en waardigheid van zijn lotgenoten. Slaagt hij erin het recht te doen zegevieren?

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.

Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

Irish Tour '74 is een film die de artiest, zijn muziek, de periode en de plaat perfect op beeld zet. Gefilmd in januari 1974 tijdens Rory Gallaghers Irish Tour in Belfast Ulster Hall, Dublin Carlton Cinema and Cork City Hall. Geproduceerd door Tony Palmer

After a tense few months following a miscarriage and an unemployment spell, things are finally looking up for Sean and Lisa Miller when Sean lands his dream job at an advertising firm. But when Sean’s assistant, Jen, his self-proclaimed “Work Wife,” begins vying for his affection, it soon becomes clear that she will stop at nothing to rip their marriage apart and claim him as her own.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Did the Nazis ever see Charlie Chaplin's 'The Great Dictator'? Yugoslavia, 1942 - The young Serbian projectionist Nikola Radosevic decides to teach the German oppressors a lesson they won't forget. The beginning of a true and astonishing World War II resistance story.

De vrolijke en modebewuste surfkampioene Merliah, die toevallig ook een magische zeemeerminprinses is, beleeft spetterende avonturen in Australië, waar ze zich inschrijft voor de ultieme surfcompetitie. Maar wanneer de boosaardige zeemeermin Eris uit haar draaikolk ontsnapt om de troon van Oceana op te eisen, moeten Merliah en haar zeevriendjes in actie komen.

Shota Kadomatsu, a first-year high school student who transferred to a private Takehana Boys' High School surrounded by four girls' high schools just because he wanted to have a girlfriend. However, the class he entered was a group of problem children, Class 1 G, who were isolated from the school building and feared by the teachers. Shota is surprised by the dilapidated classroom and his classmates with strong quirks, but he spends his days happily in love and friendship. However, the evil organization Tennokai, which was supposed to have been crushed by the urban legend of the delinquent group G-Men after a deadly battle, was closing in on them.

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate