Eric Buford (Eric Streit) was willing to do just about anything to break out of his small Southern town. When Andrea Patterson (Andrea Griffin) arrives to oversee the opening of a huge corporate mega store, Eric thinks that he finally has a ticket out of "Small town USA". Eric's plans change when he discovers Food Demon's plot to destroy all of the Mom & Pop businesses on Main Street, including his grandparents' grocery store. Before Eric knows it, he is thrust in the middle of angry mobs, shady land deals and greedy businessmen that consider murder to be all in a days work. After his grandpa is slain before his eyes, Eric joins forces with his fellow Main Street merchants in a quest to save their town. Their mission: Run corporate America out of town on a rail..and live to tell about it.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

Hurmuz is a beautiful woman, her husband Ömer is in prison and she's in love with him. She thinks that her husband is very loyal to her, but one day, when she goes to visit him, she learns that she has six other wives besides herself, and she can't get over this and wants to take revenge. Hızır Reis, Guard Hasan, Tulumbacı Hayri, Hallaç Rüstem and Berber Hasan. Hurmuz marries all of them in turn and kidnaps them all on their wedding night. But still, Hurmuz's heart is with the doctor.

A young space prince on the run from an evil space villain, stranded on Earth and waiting for his grandfather the king to rescue him, befriends an Earth child named Brian and together they evade robots, bears, and triangles.

Two friends attempt to reconnect.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

An old boat is a silent witness of how the lives of the characters on board are fleetingly intertwined on a predetermined day.

A man named Clint enters a solar-powered van called Vandora into a competition called Freakout.

Vier vrouwen van in de twintig, opeengepropt in een klein appartement in Manhattan, hebben doodlopende banen (of geen baan) en achterstallige huur. Ze ontdekken geld en zelfvertrouwen als ze een illegaal gok kantoor in hun keuken opzetten. Plots kunnen ze hun rekeningen betalen; ze stellen zich voor dat ze zich bij de middenklasse voegen; ze doen zelfs zakelijke donaties aan goede doelen. De film onderzoekt ook hun relaties met mannen, van wie de meesten ongeschikt zijn voor iets blijvends, en met hun moeders, die verschijnen in surrealistische, ingebeelde gesprekken met hun dochters.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

De sterkste man ter wereld leert hoe hij zijn geestelijke gezondheidsproblemen kan omarmen door zijn innerlijke demonen te confronteren en om te gaan met zijn grootste mislukking tot nu toe, die uiteindelijk zijn leven verandert.

Jürgen likes Lisie. And Lisie also has a crush on Jürgen. Anton, Lisie's little boy, frankly doesn't like Jürgen. But Lisie just puts the boy in Jürgen's Passat. When he begins to tell a moralizing anecdote, the world outside the car changes unexpectedly...

Huo Yuanjia, hunted by the Qing soldiers, must master a new set of fist techniques to defeat them.

Don’t disturb the man in the cradle...