Conor Bateman has sliced clips from (mainly American) horror films in which a cinema audience is slain schlockily in a theatre – an overlooked, self-reflexive trope across the genre. In each sequence, the screen is masked out to reveal the prior sequence: each audience is successively watching the killings that we, the actual audience, have just seen. The onscreen audience never leaves the theatre – there’s nowhere else in this world beyond the cinema, and the scenes of entrapment and containment play out in similarly-framed spaces of chaos (what if what we watched onscreen leaked out?). Without a scrap of ideology-addled earnestness, the tone moves from playful to inevitable. Like a game, it all loops together in an oddly fun, self-sustaining spiral of dramatic irony.

Documentary about the milk farmer Bertil Nilsson

A group of mismatched friends spend a weekend together in Maine.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Bekend om zijn onmiskenbare trapsgewijze strijkers en opnames als Charmaine, betoverde Mantovani de wereld met zijn sublieme arrangementen. Dit is het verhaal van de man en zijn muziek.

Dit keer wordt Angélique als slavin verkocht aan een nare Algerijnse sultan. Die valt haar flink lastig, maar haar echtgenoot redt haar door de gulzige sultan om te kopen. Angelique wordt dan eindelijk herenigd met haar man.

Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988

Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.

A Film About Writer's Block & Procrastination

The story of organized crime in Las Vegas is an intriguing tale of murder greed and corruption. Learn how the mob built the most dazzling and decadent city in the West before being dismantled by federal prosecutors hell-bent on taking them down. Through newsreels, archival photos and first hand accounts from those who participated, American Mafia: Las Vegas takes you inside the story from the people who know it best.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

A short film by Marsha Timothy, adapted from short story “Naruto Bersyukur” by Pidi Baiq.

A series of short scenes gives us a glimpse into a couple's complex relationship. Beautiful and frail about the little things that make up the whole.