In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

De briljante Tony Stark komt tegenover een vijand te staan die geen grenzen kent. Wanneer zijn persoonlijke wereld door deze vijand verwoest wordt, begint hij aan een aangrijpende zoektocht naar de verantwoordelijken. Deze reis zal zijn moed op de proef stellen. Wanneer Stark met zijn rug tegen de muur komt te staan kan hij alleen overleven door te vertrouwen op zijn eigen uitvindingen, vindingrijkheid en instinct om zijn naasten te beschermen.

Het echtpaar George en Mildred probeert op een feestelijke manier hun trouwdag nog eens dunnetjes over te doen. Dit loopt helemaal uit de hand, omdat George wordt aangezien voor een huurmoordenaar. Nadat de opdrachtgever hier achter komt, komen de levens van zowel George als Mildred in gevaar.

A young photographer's home is haunted by it's former residents.

De drie vrienden Bobby, Benji en Hughie zijn opgeroepen voor hun dienstplicht. Ze zijn nog niet bereid om hun vrijheid op te geven, want ze zitten liever achter de meisjes aan.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Arvind Chauhan and Lakhsmi are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope

Dave wil de drie succesvolle eekhoorns Alvin, Simon, en Theodore naar school sturen. Wat Dave niet weet is dat de drie eekhoorns zich naast de mensen niet thuis voelen. Ondertussen, wordt Ian vrijgelaten uit de gevangenis en is op zoek naar dieren die goed kunnen zingen en dansen. Hij vindt drie Chipettes en kan niet wachten om hen beroemd te maken en zo wraak te nemen op de drie eekhoorns.

Follow the rise and fall of the cybersecurity firm Biodata and its CEO, Tan Siekmann, whose eventful career signifies the collapse of the New Economy.

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E-po, a widowed 85-year-old grandma, lives a humdrum existence in her tiny Phuket home. Every now and then, her caretaker Fong receives a phone call from Bangkok: a reminder to check on E-po's gambling problem.

A depiction of the different social paths and classes within the Egyptian society, shedding light on the intertwined lives and fates of people of different classes, while highlighting issues like the drug trade and its calamitous impact on people and society.

A film about the people of Saigon told through the experiences of three young American journalists who, in 1970, explored the consequences of war and of the American presence in Vietnam. It is not a film about the Vietnam War, but about the people who lived on the fringe of battle. The views of the city are arresting, but away from the shrines and the open-air markets lies another city, swollen with refugees and war orphans, where every inch of habitable space is coveted. (NFB)