An old Finnish athlete travels alone through eastern Europe with his van.

Sparta Academy is the nation's top prep school, where students with poor grades undergo frightening torture under the school headmaster's direction. Kekko Kamen makes her appearance at the school in outrageous attire, completely naked except for her red mask, boots and gloves, and attacks the torturing teacher.

Skate video featuring Chandler Burton.

When he tries to arrest a suspect, a police captain find him dead. Investigation will uncover a counterfeiting ring.

Manilal's journey through people after the disturbing demise of his father.

How art can rise life awareness above apathy. A NUPA's film. NUPA is a public free animation studio-school in São Paulo. Ty-etê (True Water) is the main river in São Paulo city.

Charismatic Nolan Bentley wakes up in the middle of a remote forest, tied to a tree with no recollection of how he got there. With his time relentlessly running out, a mysterious stranger appears and he must finally reckon with the demons of his past and fight to survive to find a way out of his nightmare.

Three years living in Sunset Park, living between the BQE and the Greenwood Cemetery, accumulating footage of junkyard cats, Park Slope strollers, burned out cars, flying birds.

De verraderlijke J.R. is terug in de ruwe oliesector als hoofd van Weststar Oil. Zijn fatsoenlijke broer Bobby runt nu samen met J.R.ï's ex-vrouw Sue Ellen het familiebedrijf Ewing Oil, en alles lijkt vredig op Southfork. Maar schijn bedriegt.

Sankeertana is a 1987 Telugu-language classical film produced by M. Gangaiah under the Konark Movie Creations banner, directed by Geetha Krishna. It stars Akkineni Nagarjuna and Ramya Krishna in the lead roles, with music composed by Ilaiyaraaja. The film was later remade in Tamil as Deiva Vaakku.

Young boy, Ah-Jiang, a school failure and day dreamer witnesses the kidnapping of a child. After being taken hostage by a corrupt family, he begins an unusual adventure away from home.

A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.

A dramatization of several episodes in the life of Christ.