A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Er zit een meisje op school. Opeens is het alsof ze geen adem meer kan halen. Terwijl ze de trap af rent, volgen we haar in haar gedachten. Het brengt ons diep in donkere bossen.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

A horror short with no dialogue (Advised to watch with headphones)

Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.

Het 'Jackpot Island - Kumanthong Returns' blijft obsessie en twijfels verspreiden over een van de meest angstaanjagende godheden van Zuidoost-Azië. Wie verschuilt zich werkelijk achter het kwade, monsterlijke gezicht en heeft angstaanjagende geheimen? Wat hebben een dodelijk eiland en de angstaanjagend mysterieuze verschijning van monsterlijke zeemeerminnen te maken met deze brute en angstaanjagende spreuk?

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

8mm work directed by Norihiko Morinaga.

Wild cameraman Stephen de Vere filmt en vertelt dit persoonlijke en intieme portret van enkele velden en weiden in de buurt van zijn huis. Van ongrijpbare herten tot een bij die zich nestelt in een lege schelp: er zijn wezens te ontdekken die net zo fascinerend zijn als die in een tropisch bos.

Lang geleden was er in het Trotse Land de traditie van De Leeuwenwacht. De tweede welp van de Koning moet de sterkste en dapperste dieren zoeken om samen de Kringloop van het Leven te beschermen. Kion is de tweede welp van Koning Simba en Nala en volgens Rafiki is het voorbestemd dat hij de nieuwe leider van De Leeuwenwacht wordt. Maar in plaats van allemaal leeuwen te kiezen voor deze beschermers, kiest Kion zijn vrienden! Maar is zijn vader het eens is met de keuze van zijn zoon? Ondertussen bedreigen de hyena’s het Trotse Land!

A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.

Everybody's gotta have it all!

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.